It has been a fabulous summer!
I have been to a few music festivals, conducted lots of repertoire, met fantastic musicians and learned a ton. But, I miss the WSO and really look forward to getting back on the podium in front of those great musicians who are also some of the greatest people on the planet.
Our first rehearsal is coming up on September 22, 2013. ALL DVORAK! Antonin and Tony – that’s our title for this concert. Tony Ross, principal cellist of MN Orchestra, will play Dvorak’s cello concerto – arguably the most famous of the genre. I can’t wait!
I’ve wanted to program The Noon Witch for a long time. The music tells the story of an unruly little boy whose mother scolds him and threatens that if he doesn’t cease and desist his annoying behavior, the noon witch will take him away. The boy’s behavior is portrayed by agitated and dissonant oboes, and 12 chimes signal the coming of the witch. I don’t want to reveal too much but even without the story the music is brilliant!
Dvorak’s 16 Slavonic Dances were the pieces that made him a household name. We will be doing #9 which opens with the sounds of a raucous party in the Bohemian countryside. The middle section, in the minor key, presents a reflective, mournful melody. Then we return to the fun of the folk music for which Dvorak was fiercely proud.
This is a concert you don’t want to miss.
Even though the full orchestra does not rehearse during the summer, members remain active serving the community of Wayzata. Here are the pre-season highlights from this season, and thank you to all the musicians that donated their time and talents to make this possible!
• Members of the brass section played quintet music for seniors on July 3 at The Boardwalk. Accompanied by root beer floats and a festive audience of seniors and their families, a great time was had by all!
• On August 22, members of the wind and string sections will play as a nonet at a fundraiser for Trillium Woods. We are honored to be a part of this, and most grateful that the WSO is the donor of choice for funds raised that evening. Thank you Trillium Woods!
• James J. Hill Days on September 7 and 8 will be two days packed with music, food and fun for the Wayzata Community. Please join us at the WSO booth, where we’ll have small groups playing, postcards with our season schedule, and lively conversation about the WSO’s upcoming season. See you there!
While we are looking forward to our first concert on October 13, and mountains of preparation goes into planning and preparing for our season well before the orchestra’s first rehearsal on September 22, it continues to be a pleasure to watch members of the orchestra donate their time to the greater Wayzata Community throughout out the summer.
The fickleness of fate,
The treacherous territories of greed, lust and gluttony
The joy of spring
These are the age-old, timeless themes of Carl Orff’s amazing secular cantata, Carmina Burana. All of the texts were written during the 11th, 12th and 13th centuries. Orff selected only 24 poems and writings from a huge and beautifully bound volume of 254 poems discovered in 1803 when the monastery, Benediktbeuern, was secularized. The title, literally translated, means Songs of Beuern.
I find the backstory of every piece of music fascinating but this one has special intrigue. Who were the poets? The texts are NOT AT ALL religious. In fact, some are bawdy and lascivious.
WHO WROTE THE TEXTS?
Probably travelling minstrels, defrocked priests, students satirizing the Catholic Church and many, scholars think, were written by the Goliards.
The Goliards were known for their rioting, gambling and intemperance rather than their scholarship. They were often erroneously supposed to have been a religious order, an idea that arises from their satiric order of St. Golias, the fictitious patron saint of debauchery. The actual word goliard may derive from the Old French and means “big mouth.”
You’ve heard of the troubadours, right? Well, the Goliards were to the Troubadours what John Belushi was to Sir Lawrence Olivier. Both the Troubadours and the Goliards earned food, drink and lodging from their songs and poetry. The audience for the troubadours was the high and mighty, so they created sophisticated songs for connoisseurs of music and poetry. The audience for the Goliards was the middle and lower classes, so the Goliards, who tended to be rebellious and irreverent, created witty songs for the connoisseurs of cynicism and raunch. Although the goliards were initially tolerated and protected, their multiplying numbers eventually turned into a plague of beggars and their irreverence provoked an increasingly conservative church hierarchy, which began suppressing the movement.
The texts are in three different languages – Old Provencal French, Middle German and Medieval Latin. This fact has caused quite a bit of angst for our fabulous singers. These are unfamiliar languages to all of them and to me. Making sure that every syllable is correctly pronounced has been quite a task. Since languages continue evolving, you can imagine the changes and morphing that has taken place since the texts were written 900 years ago! Is the “v” pronounced as a “v” or an “f?” Is “que” pronounced “kvay” or “kvee” or “quay” or “quee?” You get the idea.
Even if you don’t think you’ve heard the piece, I’m quite certain you will recognize the opening lines of “O Fortuna.” It has been used in movies, trailers, advertisements and commercials. Even at the 2013 Superbowl, when San Francisco rallied and it looked like they just might trump the Ravens, I heard the main theme. The text at that point speaks about never being too cocky about your good fortune. The goddess, Fortuna, whose wheel continues to turn, will elevate you and then debase you on a whim. It appears there is no escaping that inevitable part of human existence.
Musically speaking, there is almost no polyphony in the work. Rather, rhythm is the central feature. The piece is easy to listen to but far from pabulum. Even without motivic development or harmonic complexity, the texts are fascinating and the music riveting in its energetic and driven pace.
Carmina Burana is one of those pieces you’ll never forget – from the opening and most famous, “O Fortuna” to the greatest drinking song of all time, “In the Tavern,” to the rapturous high D in the soprano aria, “Oh, Sweetest One.”
A favorite of the soloist arias is “O Trutina.” The music is so glorious and tender as it accompanies such an internal struggle between virtue and desire.
With more than 200 people on stage this will be quite an event!
Everyone is working so hard. When the music is great, hard work is the gift we give ourselves in order to experience the powerful transformative feelings that only music can give. A reward in extremely valuable currency!