Mystical Legends

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March 28, 2025
By Hannah Schendel, WSO Music Director

Please join us for the final performance of this season!

Sunday, April 27, 2025 at 3:00 pm
Eisenhower Community Center
1001 Highway 7
Hopkins, MN 55305

Classical music has the power to transport us to different times, places, and emotions. The three works on this program offer a captivating blend of rich storytelling, vibrant orchestration, and emotional resonance.

Overture to Prince Igor by Alexander Borodin
Borodin’s Overture to Prince Igor is a highly energetic and evocative work. This orchestral introduction to his opera Prince Igor—a piece that was left unfinished at the time of Borodin’s sudden death in 1887—captures the essence of the adventures and military operations found in the medieval Russian epic, The Lay of Igor’s Campaign.

Although Borodin had not completed the full opera, his colleagues and fellow composers Nikolai Rimsky-Korsakov and Alexander Glazunov took it upon themselves to finish the work based on Borodin’s sketches and piano performances.

Flying Dragon Concerto by Gao Hong
We are delighted to perform alongside Gao Hong who is an internationally renowned pipa player. Gao has been featured as a guest artist with the Minnesota Orchestra, teaches at Carleton College, and performs throughout the world.

The Flying Dragon Concerto is a powerful exploration of identity, travel, and inner strength. As a young girl, Gao, was told by a fortuneteller that she was a “flying dragon” due to the time and date of her birth. This prophecy became a metaphor for her nomadic lifestyle—a life of constant motion, where the future is uncertain, and “home” is an ever-changing concept. The Flying Dragon Concerto reflects the emotional journey of her nomadic existence and the continuous struggles and joys that come with living a life full of motion, self-discovery, and creativity.

Scheherazade by Nikolai Rimsky-Korsakov
Rimsky-Korsakov infused many of his compositions with elements of Russian folklore and legends, and Scheherazade is one of his most beloved works, a symphonic suite inspired by the tale One Thousand and One Nights. The story of Scheherazade revolves around the Sultan Schahriar, who, disillusioned by the faithlessness of women, decides to execute each of his wives after their wedding night. However, the clever and resourceful Scheherazade saved her life by telling the Sultan captivating tales and ending with a cliff hanger each night.

Each movement brings to life a new tale from Scheherazade’s legendary worlds. The suite opens with “The Sea and Sindbad’s Ship,” evoking the vast grandeur and mystery of the ocean, followed by “The Story of the Prince Kalandar,” which paints a vivid picture of an adventurous journey. The third movement, “The Young Prince and Princess,” tells a tale of love, while the final movement, “Festival at Baghdad,” concludes with an epic climax, as the sea, a shipwreck, and the image of a bronze horseman combine to create a sense of awe and wonder.

I look forward to seeing you all on April 27 for this final fantastic performance of our 2024-25 season!

 

A German Requiem by Guest Blogger Timothy Sawyer

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February 17, 2025
By: Guest Blogger Timothy Sawyer
Artistic Director and Conductor
Two Rivers Chorale

A German Requiem by Johannes Brahms holds many fond memories for me. I first encountered it when I sang it as an early “20-something” with the Bethel College Choir under the direction of my college choir mentor, Robert Berglund. That was a transformational and deeply spiritual experience, especially since he had studied and sung it under the great Robert Shaw, this Requiem being one of Shaw’s “signature” pieces. I recently had the privilege of conducting the fourth movement (How Lovely Is Thy Dwelling Place, O Lord of Hosts) at a recent memorial service for that mentor. While I was at Bethel, we were deep into polishing it around the time of the sudden death of my beloved grandmother, Viola. She was my mom Lollie’s mother, and the three of us were very close. In the Requiem, and especially the fifth movement (You Now Have Sorry, But You Will See Me Again), I found a source of tremendous catharsis along with tremendous comfort and hope from that grief. Only six years later, upon the unexpected death of my mother, like Brahms himself, I found that soul solace in Brahms Requiem once again. I still do.

In the ensuing years – now over forty years since, I have had the privilege of singing and studying it multiple times under esteemed German conductor and Bach scholar Helmuth Rilling, whose interpretations were peerless. Bach’s influence on Brahms was indelible, and Rilling shares a part of that legacy. Not surprising, for even Brahms himself said: “Study Bach, there you will find everything.” Brahms’ respect for and deep understanding of theological composition learned from Bach is clearly evident in every measure of his A German Requiem.

As a professor, what a joy it was to teach it to my students and have the privilege of conducting it myself with the combined choirs of Northwestern/Bethel and both orchestras in a partnership with my lifelong friend Dennis Port. Further explorations of this towering work with Two Rivers Chorale on the Iron Range were with the Mesabi Orchestra and also in Brahms’ so-called “London Version” for two pianos (or piano 4-hands). I have a fond memory of preparing it for our 2017 performance with the Wayzata Symphony Orchestra under Marlene Pauley. That project still resonates in my memory, and we are relishing returning to this piece once again with the WSO, and its new conductor Hannah Schendel. Reengaging with the original German language has been a welcome treat as well, with all the layered richness of Martin Luther’s 16th century translation of Scripture.

Joshua Bauder is an ascending young Twin Cities composer on the faculty of University of Northwestern – St. Paul, and he was a natural choice for a commission of a piece to celebrate my 20th anniversary season with TRC, and also my 30th year as artistic director of Christmas at Northwestern, whose theme this year was “Arise, Your Light is Come.” A graduate of St. Thomas University (BA) and the University of Minnesota (MA, PhD), Josh lovingly crafted a beautiful and moving piece, exactly what both occasions called for. I was delighted and honored by his excellent work. It is a privilege to present this piece once again in the context of our collaborative concert with the WSO and the Edina Chorale, and to infuse more light and hope into this deeply moving concert of consolation “for the living.”

Timothy Sawyer, Artistic Director – Two Rivers Chorale
Professor of Music and Director of Choral Activities – University of Northwestern-St. Paul

 

Exploring Scandinavian Music

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January 3, 2025
By Hannah Schendel, Music Director

Exploring the Richness of Scandinavian Music

On Sunday, January 19, 2025 the WSO will explore the richness of Scandinavian classical music, with its sweeping landscapes and deep cultural pride, offers a unique blend of folk traditions, national pride, and emotional depth. In this concert, we’ll explore three works that embody the spirit of Scandinavia—Elfrida Andrée’s Concert Overture in D Major, Jean Sibelius’ Karelia Suite, and Edvard Grieg’s Peer Gynt Suite No. 1. Each composition reveals the rich history and vibrant folk traditions of their homelands.

Concert Overture in D Major by Elfrida Andrée

Born in Visby, Sweden in 1841, Elfrida Andrée was a pioneering figure in Sweden. Andrée fought against barriers that restricted women from enrolling in the Royal Academy of Music in Stockholm and in working in churches.

Andrée’s Concert Overture in D Major, is a testament to her musical prowess and rich compositional voice. It blends classical form with the energy and passion of Romanticism, reflecting Andrée’s artistic depth and resilience in the face of societal obstacles.

Karelia Suite by Jean Sibelius

Jean Sibelius, one of Finland’s most beloved composers, is best known for his symphonic works that often reflect the Finnish landscape and national identity. Composed for a student pageant in 1893, the Karelia Suite takes inspiration from the Karelia region, a historically contested area between Sweden and Russia, and a place rich with folk traditions.

The music captures the essence of Finnish folk culture through its vivid and emotive melodies. Each movement of the Karelia Suite highlights a different aspect of Finnish history and folklore, embodying the rustic charm and rugged beauty of the region.

Peer Gynt Suite No. 1 by Edvard Grieg

Norwegian composer Edvard Grieg’s music is intrinsically linked to his homeland. Peer Gynt Suite No. 1 was originally created as incidental music for Henrik Ibsen’s play Peer Gynt, which explores themes of self-deception, cultural satire, and the quest for the meaning of life. Peer, the play’s protagonist, embarks on a reckless journey, rejecting love, abandoning family, and seeking adventure across the world—only to discover in the end that the true fulfillment he sought was always at home.

The suite concludes with one of Grieg’s most recognizable works, In the Hall of the Mountain King.

Conclusion

These three works showcase the rich musical heritage of Scandinavia. From Andrée’s triumph over societal obstacles to Sibelius’ celebration of Finnish folk traditions and Grieg’s vivid musical portrayal of Norwegian storytelling, each composer offers a window into the soul of their respective nations. Through their music, we gain insight not only into the landscapes and history of Scandinavia but also into the deep emotions and cultural pride that continue to define the region’s music today.

Concert details:
Click here
January 19, 2025 at 3:00 pm
Free, no ticket required

Note new venue!
Hopkins High School
2400 Royals Drive
Minnetonka, MN 55305

Star-Crossed Lovers

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November 4, 2024
By Hannah Schedel, Music Director

“Star-crossed lovers” is a term which is often quoted, but one that merits a closer examination. This phrase refers to lovers whose fate is determined by the stars, a concept rooted in the astrological belief that celestial bodies have the ability to shape human destinies. In the realm of classical music, many compositions explore emotional turmoil that resonates with all of us. On this program, we explore three remarkable works: Richard Wagner’s Die Meistersinger von Nürnberg, Emmanuel Séjourné’s Concerto for Marimba and Strings, and Sergei Prokofiev’s Romeo and Juliet Suite No. 2. Each piece offers a unique insight into the composers’ artistic imagination and the emotions they aim to evoke.

Please join us for this concert at Eisenhower Community Center in Hopkins on November 17, 2024 at 3:00 pm. Note the new venue! Details can be found here. 


Prelude to Die Meistersinger von Nürnberg by Richard Wagner
Die Meistersinger von Nürnberg (The Mastersingers of Nuremberg), Wagner’s only comedic opera, stands out not only for its humor but also for its historical setting, diverging from the mythical realms typical of Wagner’s other operas. Composed over twenty-two years, the opera premiered in Leipzig in 1862. Set in sixteenth-century Nuremberg, it depicts a complicated love story between Walther and Eva, as Eva must marry the winner of a singing contest organized by the Mastersingers—a guild of amateur musicians and poets.

With the guidance of Hans Sachs, the most esteemed mastersinger, Walther learns to sing the night before the contest, and ultimately triumphs. This victory allows him not only to join the guild but also to marry Eva, creating a narrative that celebrates love, artistry, and community.

Concerto for Marimba and Strings by Emmanuel Séjourné
Kelly Grill, Marimba

The next piece, Concerto for Marimba and Strings was composed by French composer Emmanuel Séjourné who currently teaches at the Strasbourg Conservatory, Séjourné is celebrated for his innovative compositions for keyboard percussion, particularly the marimba and vibraphone. His works often blend classical traditions with jazz, rock, and world music styles.

Commissioned by marimba virtuoso Bogdan Bácanu, the concerto has seen over 500 performances since its premiere in 2006. Originally comprised of just two movements—“Tempo souple” and “Rhythmique énergique”—the piece highlights the marimba’s versatility. The second movement, with its intricate rhythms reminiscent of Spanish flamenco, showcases challenging passages in an 11/8 meter, allowing the soloist to explore the instrument’s emotional depth and technical brilliance. This lively work invites listeners to appreciate the marimba as both a lyrical and virtuosic instrument.

Romeo and Juliet Suite No. 2 by Sergei Prokofiev
No exploration of a love story in music would be complete without Sergei Prokofiev’s Romeo and Juliet. Composed as a ballet in 1935, Prokofiev later extracted movements to create three orchestral suites that illuminate Shakespeare’s tragic tale.

The suite begins with the “Montagues and Capulets,” in which the “Dance of the Knights” sets the tone for the tension felt between the feuding families. This is followed by “Juliet – The Young Girl,” which captures the youthful spirit of Juliet, and “Friar Lawrence,” which portrays the well-meaning priest. As the suite unfolds, listeners experience the intimate moments between Romeo and Juliet, culminating in the heart wrenching “Romeo at Juliet’s Grave.” This movement evokes the deep sorrow felt as Romeo, unaware of Juliet’s feigned death, takes his own life in despair, only to have her awaken moments later.

Each of these works offers a distinct perspective on love, artistry, and the human experience. Wagner’s playful yet profound opera, Séjourné’s vibrant and captivating marimba concerto, and Prokofiev’s poignant ballet suite together create a rich tapestry of musical expression. As we immerse ourselves in these compositions, we are reminded of the power of music to tell stories that resonate across time and culture. As we immerse ourselves in these compositions, we are reminded of music’s power to tell stories that resonate across time and culture. Whether through Wagner’s storytelling, Séjourné’s rhythmic innovations, or Prokofiev’s tragic beauty, each piece invites us to explore the depths of emotion and creativity found in both the world and in classical music. I’d love to see you in the audience on November 17!

Journey to Italy

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Hannah Schendel, Music Director
September 15, 2024

If you’ve ever dreamt of taking a trip to Italy, this concert is for you! Experience the rich history of Italian opera through the dramatic overture of Verdi’s Luisa Miller and discover the charming Baroque Oboe Concerto in G Major by Besozzi. Respighi’s evocative Trittico Botticelliano and Fontane di Roma paint vivid musical portraits of art and important landmarks. We will explore three paintings by renowned Italian Renaissance artist, Sandro Botticelli and take a walking tour through Rome to view four famous fountains. Each of these pieces showcases the incredible diversity and breadth of Italian classical music.

Join us on October 6, 2024 at 3:00 pm at Hopkins High School for this free performance with guest artist Cassie Pilgrim, Principal Oboe, Saint Paul Chamber Orchestra. You can find full event details here.

Here’s a bit more about this exciting performance:

Giuseppe Verdi’s Overture to Luisa Miller
An eminent composer in 19th-century opera, Giuseppe Verdi is known for his unique ability to weave rich orchestral textures into expressive vocal lines. His 1849 opera Luisa Miller stands as a testament to his early talent. The overture to Luisa Miller sets a dramatic tone for the opera, which is filled with intrigue and heart-wrench.

The plot is filled with numerous twists and turns, culminating in a tragic scene reminiscent of Shakespeare’s Romeo and Juliet, where the characters Luisa and Rodolfo take poison in the name of their doomed love. Verdi’s overture captures the intensity of the narrative, hinting at the complex emotions and dramatic twists that lie ahead.

Alessandro Besozzi’s Oboe Concerto in G Major
Born in Parma, Italy in 1702, relatively little is known about Alessandro Besozzi’s life, career, and compositional output. Historians confirm that he trained and worked as both an oboist and composer, serving the King of Sardinia for much of his career. Alessandro lived and performed alongside his brother Paolo Girolamo, a bassoonist, sharing both their musical pursuits and sartorial choices throughout their lives. Six oboe concerti are attributed to Besozzi, though their exact dates are not certain.

This concerto, consisting of three movements, showcases the oboe’s expressive range and technical capabilities. Besozzi’s music is both lyrical and intricate, and is an elegant interplay of melody and ornamentation, reflecting the playful yet ornate nature of the Baroque period.

Thank you to Midwest Musical Imports for sponsoring Cassie Pilgrim’s performance!

Ottorino Respighi’s Trittico Botticelliano (Three Botticelli Pictures)
Next, we encounter Ottorino Respighi’s Trittico Botticelliano, a suite of early 20th century orchestral works inspired by paintings of Sandro Botticelli which are currently housed in the Uffizi Gallery in Florence.

La Primavera (The Allegory of Spring)

From left to right: Mercury, the three Graces, Venus, Flora(s), Zephyr. The music vividly portrays the joyful, floral, and sometimes breezy essence of springtime.

L’adorazione dei Magi (The Adoration of the Magi)

At the center of the painting is the nativity scene set amidst Roman ruins. The Three Magi and notable figures from Florence observe the scene. This is musically represented through the medieval hymn “Veni, veni, Emmanuel” (Oh Come, Oh Come, Emmanuel) and through the sparkling colors that evoke the magi.

La nascita di Venere (The Birth of Venus)

From left to right: Zephyr, Aura, Venus, Hour of Spring. The strings mimic the ocean waves and the scalloping of the seashell that carries Venus to the coast of Cyprus. The music captures the grandeur of the moment and the expansive landscape.

Ottorino Respighi’s Fontane di Roma (Fountains of Rome)
Respighi’s Fontane di Roma continues our exploration of his evocative musical imagery. Each movement of Fontane is an artistic impression of four fountains located throughout Rome.

La fontana di Valle Giulia all’alba (The Fountain of Valle Giulia at Dawn)

The music evokes a pastoral scene where cattle and sheep quietly pass by the fountain during the humid hours of Roman dawn.

La fontana del Tritone al mattino (The Triton Fountain in the Morning)

Heroic horn calls (conch shells) and shimmering cymbal sprays capture the joyous and wild celebration of tritons and naiads depicted in this famous Bernini masterwork.

La fontana di Trevi al meriggio (The Trevi Fountain at Midday)

One of Rome’s most iconic landmarks, the Trevi Fountain is represented by a

solemn procession of tritons and naiads, accompanied by a trumpet herald announcing Neptune’s majestic chariot drawn by sea horses.

La fontana di Villa Medici al tramonto (The Villa Medici Fountain at Sunset)

This final movement portrays the fountain bathed in the nostalgic, fading light of dusk. A mournful melody intertwines with distant church bells and softly chirping birds until everything fades into nightfall.

From Verdi’s emotionally charged overture, Besozzi’s Baroque charm, and to Respighi’s evocative musical depictions, these works offer a rich overview of Italian classical music that spans centuries and styles. Each piece not only reflects the unique voice of its composer but also immerses us in a world of artistic expression and historical context. Whether you’re a seasoned music lover or new to classical music, these masterpieces are sure to leave a lasting impression!

Dark and Light

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Hannah Schendel, Music Director
April 12, 2024

Please join the Wayzata Symphony Orchestra for “Dark and Light,” our final concert of the 2023-24 season!

One of the first concepts a painter, photographer, or sculptor must learn is how to use light, and the absence of light, to create their desired artwork. Similarly, composers learn how to create the illusion of such images using sound as their medium. Each piece on our program explores the contrasts between light and dark.

In 1903, Carl Nielsen’s wife Anne Marie, a sculptor, received a grant to study ancient Greek art in Athens. While Anne Marie spent much of her time in the Acropolis, Carl studied archaeology and composed. Inspired by the intensity of the scorching Athens sun, Helios Overture paints the image of the sun rising and falling in an arc over the Aegean Sea, emerging from and sinking back into darkness.

Tone Poem, by Chen Yi, was inspired by two poems by Sy Dong-po about southern Chinese landscape paintings. Through this sonic landscape, Chen, conveys images of sunlight, dark rain clouds, sparkling waves, and a sudden and forceful gale.

Sibelius in 1904, by Albert Engström

Jean Sibelius’ Symphony No. 2 is sometimes subtitled as “Confession of the Soul.” As we are carried through the symphony we see flickers of contrasting images, each serving to illuminate one another. Images of a frozen Finnish tundra contrast with warm country sides, encounters with Death oppose moments of intense hope, frenetic energy is juxtaposed with plaintive and tender melody. The final movement harnesses these opposing forces and unites their energy in one of the most glorious symphonic melodies.

As I reflect back on my first season as Music Director, I am inspired by the joy, commitment, and camaraderie shared by the WSO musicians. As we look to the future, we look forward to exciting concerts, new collaborations, and opportunities to expand our impact within the Twin Cities community.

I would like to extend a sincere thank you to all of our donors, volunteers, and audience members. Your impact is vital for the success and mission of this organization. Thank you!

We cannot wait to see you next season!

French Romanticism

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Hannah Schendel, Music Director
November 4, 2023

I’m excited for the WSO concert on Sunday, November 12, 2023. Please join us at 3:00 pm at Wayzata Central Middle School for our second performance of this concert season.

The three pieces on this program were all composed in France during the Third Republic, a 70-year period that arose after France’s defeat in the Franco-Prussian War of 1870. During this period, two differing styles of French music coexisted, French Romanticism and Impressionism.

Our concert opens with Callirhoë Suite, a charming ballet suite composed by Cécile Chaminade, an accomplished pianist and composer who performed concerts throughout Europe and in the United States. As musical taste in France shifted toward Impressionism during the late 1800s, a style that Chaminade disliked, Chaminade dug her heels into the heavier French Romantic style, aligning herself with composers such as Camille Saint-Saëns and Léo Delibes.

The music is delightfully varied, pictorial, and features many short solos by various instruments.

This is followed by Édouard Lalo’s Cello Concerto in D Minor, a defining work in Lalo’s long compositional career. We are delighted to welcome Anthony Ross (Principal Cello – Minnesota Orchestra) to join the WSO again as our featured soloist. Throughout the concerto, the solo cello plays the part of a powerful and emotional protagonist while the orchestra plays a supporting role, occasionally interjecting with motives that include a hint of Spanish flair.

Finally, we will hear another ingenious and delightful French ballet suite entitled, Sylvia Suite, by Léo Delibes. Tchaikovsky was so impressed with the music of Sylvia that he wrote to a friend, “I was ashamed. If I had known this music early on, then of course I would not have written Swan Lake…what charm, what elegance.”

We are looking forward to seeing you there! Free – donations gratefully accepted at the door. No ticket required. Join us after the concert for a reception to meet the musicians.

2023-2024 Season

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Music Director, Hannah Schendel
August 30, 2023

I am so excited and honored to be named the new Music Director of the Wayzata Symphony. Through weathering the pandemic and embarking on a yearlong search for its next conductor, the members of the WSO have blown me away with their dedication both to the organization and to creating music at a high level. Highlights this season include three symphonies, pieces by female composers on every concert, a variety of pieces composed by diverse living composers, and the much-anticipated return of Anthony Ross (Principal Cello – Minnesota Orchestra). There will be something for everyone to enjoy!

The first concert is centered around the theme of celebration; celebrating both a new chapter in the WSO legacy and the joy that we all feel in coming together to make something beautiful. The second concert is comprised entirely of 19th century French music which features Edouard Lalo’s emotional Cello Concerto in D Minor, bookended by two ballet suites. Our third concert is thought provoking, and will challenge us to consider the sometimes subtle nuances between fate and destiny. Just as painters carefully choose their color palette, so too will we explore dark and light shades of sound in our fourth and final concert of the season.

Each and every one of these concerts has something unique to offer. The WSO is a hidden gem, presenting exceptionally high-quality and meaningful performances. Please help us to expand the impact we seek to make both musically and in our community by supporting us financially with your tax-deductible donation.

I can’t wait to see you at our concerts this season!

Sincerely,

 

 

 

Impressions of America

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Guest Conductor Notes
Hannah Schendel
April 22, 2023

I’m looking forward to conducting the Wayzata Symphony Orchestra on May 7 as we celebrate and explore the vibrant cultures, people and natural beauty of America.

The program opens with Starburst, a vivid and energetic piece composed by Jessie Montgomery. Montgomery’s individual compositional style reflects her upbringing in Manhattan’s Lower East Side, an area which is infamous for its multiculturalism within New York City. Montgomery describes Starburst as “a play on imagery of rapidly changing musical colors. Exploding gestures are juxtaposed with gentle fleeting melodies in an attempt to create a multidimensional soundscape. A common definition of a starburst: “the rapid formation of large numbers of new stars in a galaxy at a rate high enough to alter the structure of the galaxy significantly” lends itself almost literally to the nature of the performing ensemble who premiered the work, The Sphinx Virtuosi, and I wrote the piece with their dynamic in mind.”

This is followed by The Overture to the Song of Hiawatha, by British composer and conductor, Samuel Coleridge-Taylor. The Overture introduces a trilogy of cantatas based on Henry Wadsworth Longfellow’s 1855 epic poem, The Song of Hiawatha. The poem, which was inspired by Longfellow’s close friendship with an Ojibwe Chief, narrates the fictional tragic love story of Hiawatha, an Ojibwe man, and Minnehaha, a Dakota woman. Many names and locations mentioned within the poem are familiar to Minnesota audiences. Coleridge-Taylor’s three cantatas were an immediate success with British audiences and were performed annually at the Royal Albert Hall for many years. The pieces were such a success that Coleridge-Taylor named his son, Hiawatha.

Finally, we hear Symphony No. 9 in E Minor, “From the New World” by Czech composer Antonín Dvořák. Dvořák briefly lived in the United States where he resided in New York City and Spillville, Iowa. During these years he was inspired by African American spirituals, jazz, Native American culture, Longfellow’s Song of Hiawatha, and the beauty of the expansive plains of central America. In this symphony, Dvorak sought to pave a way forward for the future of American symphonic music by synthesizing these American influences with his own Bohemian rhythms and harmonic language.

Scottish Fantasy Inspiration

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Guest Conductor Notes
Richard Haglund
February 12, 2023

In putting together this program, I chose the Hebrides Overture, Scottish Fantasy, and Four Scottish Dances as musical works all inspired by the landscapes, folklore, and cultural heritage of Scotland. These works are examples of the Romantic era’s interest in folk music, nature, and the exotic, and they showcase the composers’ fascination with Scotland’s unique and captivating character. As a fan of American composers, I programmed Barber’s Second Essay for orchestra as a nice divertimento to this Scottish themed program.

I last performed with our soloist, Dr. Ariana Kim, in 1998 when she was quite young! Noted by The New York Times for giving “the proceedings an invaluable central thread of integrity and stylishness” and having “played with soulful flair,” violinist Ariana Kim made her New York recital debut at Carnegie’s Weill Hall during her graduate studies at Juilliard and is now a tenured professor at Cornell University. We are so fortunate to have her share her talents with us on this program.

“Excited” is the only word that comes to mind to return to this stage in Wayzata where I student taught (quite a few years ago). Looking thru the roster I know several of the performers but many are new to me and I look forward to getting to know them both on and off the stage in this exciting program that showcases the WSO in many different ways.